"Writers can sound rather mystical when they talk about these things. Words like inspiration and creativity
I’m really rather suspicious of, though I can’t talk about my work for
more than thirty seconds without deploying them myself. Sometimes I
think that creativity is a matter of seeing, or stumbling over,
unobvious similarities between things—like composing a fresh metaphor,
but on a more complex scale."
"One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn’t work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer’s real world and the writer’s fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It’s world making and the peopling of those worlds, complete with time lines and heartache."
David Mitchell
(Source: http://www.theparisreview.org/interviews/6034/the-art-of-fiction-no-204-david-mitchell)
"One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn’t work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer’s real world and the writer’s fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It’s world making and the peopling of those worlds, complete with time lines and heartache."
David Mitchell
(Source: http://www.theparisreview.org/interviews/6034/the-art-of-fiction-no-204-david-mitchell)
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