Fearless

Then again, this déjà vu didn’t erase the idea of an unhappy ending. “I love you like this,” Megan purred, as Don (Draper) struggled to brand a car with no name. “Desperate and scared?” he said. “Fearless,” she replied, saying that she’d do anything to help. Her closing line hinted at the finale that the show keeps flashing like a fan dancer: “Then you can jump from the balcony and fly to work. Like Superman.”

Faking It by Emily Nussbaum for New Yorker

 

Recommendation of the Week

I have a lot of things to recommend this week but right now I will just share a moderate chunk of my excitement. This week’s recommendation is Richard Linklater’s satiric dark comedy ‘Bernie’ featuring Jack Black. And here’s why:

New Yorker recently called Jon Hamm the most watchable man on screen (Mad Men’s Don Draper- and you are definitely living in a parallel ugly universe if you don’t know who Jon Hamm is!). Despite of my enormous admiration for Mr Draper, for me, the most watchable man on screen is Jack Black. To say he is a rockstar would be a gross understatement and it might confuse you with his musical talents.

If ‘School of Rock’ was probably a quintessential Jack Black film, ‘Bernie’ has the JB you have not seen before. He is simply outstanding in the movie. Bernie is based on a real story of an apparently simple but in reality a highly complex man involved in a completely “out-of-character” incident. Till the end, JB’s character Bernie Tiede will keep you spellbound and confused as to what the truth is. Linklater takes you so close to the psyche of funeral director Bernie and his intentions but the moment you think you are close enough to get any answers, he pulls you right out. That’s where the beauty of Bernie lies.  

Oh and did I already mention that Jack Black is outstanding in the movie, a fountain of brilliance. An absolute must watch.       

     

Nostalgia - It's delicate, but potent...

"Nostalgia - it's delicate, but potent. Teddy told me that in Greek, "nostalgia" literally means "the pain from an old wound." It's a twinge in your heart far more powerful than memory alone. This device isn't a spaceship, it's a time machine. It goes backwards, and forwards... it takes us to a place where we ache to go again. It's not called the wheel, it's called the carousel. It let's us travel the way a child travels - around and around, and back home again, to a place where we know are loved."

Don Draper, Mad Men